God Shows No Partiality in Christ
Continuing the conversation on helping the church face racism
Prof Insights: Chad Lakies
Dr. Chad Lakies introduces his online summer workshop, “The Church’s Witness in a Secular Age.”
“Drop Your Nets and Follow Me”
A new resource for those considering church work…or who should be
“Lord, Thee I Love with All My Heart”
A Concordia Seminary, St. Louis choir, led by James Marriott, sings this tremendous hymn of faith
“We Praise You and Acknowledge You, O God”
A Concordia Seminary, St. Louis choir, led by James Marriott, sings this glorious setting of the Te Deum
The Future of Theological Education
Dale Meyer talks with Daniel Aleshire about the future of seminaries, pastoral formation, and continuing education
Prof Insights: Josh Hollmann
Dr. Joshua Hollmann introduces his summer workshop, “Pop Culture and Theology.”
Preachers Studio: Ben Haupt
Benjamin Haupt talks about the craft of preaching, on a classic Easter text
“The King of Love My Shepherd Is”
A Concordia Seminary, St. Louis choir, led by James Marriott, sings the beloved hymn based on Psalm 23
ICYMI: Leo Sánchez on “Migration, Spirituality, and Teaching”
Leopoldo A. Sánchez M. recently appeared on the Wabash Center’s podcast series, “Dialogue on Teaching.”
Call Day: An Inside Look
Glenn Nielsen talks about the call process, and two concluding students share their thoughts on the eve of Call Day
“Awake, My Heart, with Gladness”
As we prepare for Call Day 2021, a virtual choir of faculty, students and families, and friends joined their voices in the Call Day service last year
“This Joyful Eastertide”
A Concordia Seminary, St. Louis choir, led by James Marriott, sings the classic Easter hymn
ICYMI: Kolb on Luther’s Theology
Logos recently interviewed Robert Kolb about his work editing The Oxford Handbook of Martin Luther’s Theology
“From Generation to Generation”
Dale Meyer talks with one of his own “heroes” of the faith and a mentor in ministry, Osmar Lehenbauer
An Easter Toccata
James Marriott plays an organ work famous for its use as an Easter postlude